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Country Life Magazine, July 2026.
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Before Mitchell’s concentrated efforts, 19th-century Alpine art was largely overlooked by the mainstream art world. In 2001, Mitchell discovered two forgotten Loppé paintings (The Mer de Glace and the Grands Charmoz), rolled up in shipping boxes, where they had slept since an 1874 London exhibition. Recognising the mastery of these mountain paintings, Mitchell partnered with the Alpine Club in London to borrow and restore a substantial portion of their poorly preserved collection. This culminated in the inaugural Peaks & Glaciers exhibition, an annual event that has since become Britain's longest-running, specialist exhibitions devoted to the finest alpine paintings, photographs and drawings of the Alps. Each winter, Mitchell publishes the exhibition's rigorous accompanying catalogues, which are freely available on John Mitchell Fine Paintings website.
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William Mitchell watching James Hart Dyke paint the summit of Mont Blanc.
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‘The overriding ambition or mission statement is to remind us how much the Alps can engage our thoughts - in all seasons - whether as climber, skier, walker or rêveur’.
- William Mitchell, Peaks & Glaciers 2025
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William Mitchell watching James Hart Dyke paint the summit of Mont Blanc
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William Mitchell at the Gabriel Loppé, Artist au Sommet exhibition, 2022.
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Visitors of the gallery, by appointment at 17 Avery Row, are welcome to view a selection of the latest offerings in its long-running speciality in nineteenth and twentieth-century paintings of the Alps.



