William Alexander
Provenance
with Frost and Reed, London, 1953; Private collection, EnglandLiterature
William Alexander, Journal, unpublished manuscript in British Museum, Add MS 35174. Bibliography also includes: Sir George L. Staunton, An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China (1797); Sir John Barrow, A Voyage to Cochinchina (1806); William Alexander, The Costume of China (1805); William Alexander, Picturesque Representations of the Dress and Manner of the Chinese (1814); Susan Legouix, Image of China: William Alexander, London, 1980; Patrick Conner and S. Legouix, William Alexander: an English Artist in Imperial China, exhibition catalogue, Brighton Art Gallery and Nottingham Univ. Art Gallery, 1981.A watercolour by William Alexander (1767–1816), official draughtsman on Lord Macartney's historic 1792–94 British embassy to the Imperial court of China. Alexander's watercolours of the embassy – among the first firsthand European depictions of the Chinese interior – established his reputation and were widely reproduced as engravings.
This view records the ceremonial pavilion built at Tientsin to receive Macartney's delegation, a scene Alexander later described in his own written account of the journey.
Born in Kent in 1767, William Alexander was briefly apprenticed to Julius Caesar Ibbetson (1759-1817) in London before enrolling in 1784 at the Royal Academy Schools. In September 1792 Alexander embarked on what was both his first major professional commission and his life's greatest opportunity: Lord Macartney's embassy to China... [Full essay on the China embassy and the sitting is available at the Wayback URL - not reproduced here in full.] A version of the present watercolour (signed with initials, inscribed and dated 1793, 6 x 8 ins.) was sold at Sotheby's London on 1st April 1976 (lot 12).
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