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Open a larger version of the following image in a popup: John Russell RA, Portrait of Lady Henrietta Elizabeth Cavendish, younger daughter of William, fifth Duke of Devonshire, aged five, later Harriet Leveson-Gower, Countess Granville (1785-1862), 1790

John Russell RA

Portrait of Lady Henrietta Elizabeth Cavendish, younger daughter of William, fifth Duke of Devonshire, aged five, later Harriet Leveson-Gower, Countess Granville (1785-1862), 1790
pastel on paper, laid down on canvas
23 x 17 in. (58.5 x 43.2 cm.)
signed and dated 'Russell R A pt./ 1790' (lower left)
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Provenance

In the collection of the sitter; by descent to her son, the Hon. Frederick Leveson-Gower (1819-1907); with Grafton Gallery, London W1; Charles Wertheimer (1842-1911); Alfred Sussmann, his sale, Paris, Georges Petit, Lair-Dubreuil, 18th-19th May 1922, lot 51; Arthur Forbes, 9th Earl of Granard (1915-1992), and by descent.

Exhibitions

London, Royal Academy, 1790, no. 118, Portrait of a young lady of quality; Paris, Galerie Georges Petit, 1908, Exposition de cent Pastels du XVIII siecle, no. 115.

Literature

Neil Jeffares, Dictionary of Pastellists before 1800 (Unicorn Press 2006), p.449, illus.

Signed and dated 'Russell R A pt./ 1790', this pastel by John Russell RA (1745–1806) depicts Lady Henrietta Elizabeth Cavendish, younger daughter of William, fifth Duke of Devonshire, aged five – later Harriet Leveson-Gower, Countess Granville (1785–1862). Exhibited at the Royal Academy in 1790 as Portrait of a young lady of quality, and again at the Galerie Georges Petit, Paris, in 1908.

Russell was industrious, and even today his portraits are not rare; however, very few are as well-preserved as this one, which has suffered neither losses (where pastel falls away from the paper) nor unsightly discolouration of pigments. As the fragile nature of pastel does not lend itself to restoration, surviving examples are very much as one finds them – and every detail here remains crisp, with Russell's lively draughtsmanship visible throughout.

The sitter descended from one of the great Whig aristocratic families of Georgian Britain, and the painting's provenance runs in an unbroken chain from the sitter herself, through the Leveson-Gower and Wertheimer collections, to the Earls of Granard. It is published in Neil Jeffares's standard reference, the Dictionary of Pastellists before 1800 (2006), p.449.

Collectors of Georgian aristocratic portraiture, the Cavendish/Devonshire family, and scholarly-catalogued pastel work will find this an exceptional, fully documented example of Russell's Royal Academy practice.

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