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Open a larger version of the following image in a popup: William Alexander, The Temporary Pavilion on the Banks of the Un-Leng at Tientsin erected for the arrival of Lord Macartney's Embassy

William Alexander

The Temporary Pavilion on the Banks of the Un-Leng at Tientsin erected for the arrival of Lord Macartney's Embassy
watercolour on paper
6½ x 8¾ ins. (16.5 x 22.2 cms.)
signed with initials
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Provenance

with Frost and Reed, London, 1953; Private collection, England

Literature

William Alexander, Journal, unpublished manuscript in British Museum, Add MS 35174. Bibliography also includes: Sir George L. Staunton, An Authentic Account of an Embassy from the King of Great Britain to the Emperor of China (1797); Sir John Barrow, A Voyage to Cochinchina (1806); William Alexander, The Costume of China (1805); William Alexander, Picturesque Representations of the Dress and Manner of the Chinese (1814); Susan Legouix, Image of China: William Alexander, London, 1980; Patrick Conner and S. Legouix, William Alexander: an English Artist in Imperial China, exhibition catalogue, Brighton Art Gallery and Nottingham Univ. Art Gallery, 1981.

A watercolour by William Alexander (1767–1816), official draughtsman on Lord Macartney's historic 1792–94 British embassy to the Imperial court of China. Alexander's watercolours of the embassy – among the first firsthand European depictions of the Chinese interior – established his reputation and were widely reproduced as engravings.


This view records the ceremonial pavilion built at Tientsin to receive Macartney's delegation, a scene Alexander later described in his own written account of the journey.


Born in Kent in 1767, William Alexander was briefly apprenticed to Julius Caesar Ibbetson (1759-1817) in London before enrolling in 1784 at the Royal Academy Schools. In September 1792 Alexander embarked on what was both his first major professional commission and his life's greatest opportunity: Lord Macartney's embassy to China... [Full essay on the China embassy and the sitting is available at the Wayback URL - not reproduced here in full.] A version of the present watercolour (signed with initials, inscribed and dated 1793, 6 x 8 ins.) was sold at Sotheby's London on 1st April 1976 (lot 12).

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